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STATEMENT Central to my work is a fascination with the interstitial; spaces charged with the energy of possibility like the tiny spark of static electricity that jumps from finger to a doorknob. In these overlooked gaps are dream-like worlds populated by our ghosts and their many shadows, made solid for an instant only to fade back into the diaphanous ether from which they emerged. Not just the resurrection of our collective memories, these ghosts are also reflected fragments of our present and harbingers of a furtively glimpsed at future.
The incongruent images that intersect here are strange bedfellows bumping elbows in the gloom, sometimes entering into a comfortable dance, sometimes engaging in bristling conflict and sometimes the dance and the conflict are one in the same. This dichotomy is most evident when nature and human collide. Though we vainly try to domesticate and cultivate the natural world around us we are inextricably a part of it. We shape and morph nature, twisting it into almost unrecognizable forms only to discover that in doing so we are really contorting ourselves.
These echoes weave their own intricate histories in their own languages; mirrors that reflect our own familiar stories.
BIOGRAPHY
In 1973 Joshua Field was born in the Berkshires of western Massachusetts. He spent his formative years in St. Petersburg, Florida where he attended the Pinellas
County Center for the Arts, a competitive four-year high school for the arts.
Field later attended the Maryland Institute College of Art in Baltimore where he earned his BFA. At MICA, he focused on assemblage/collage and poetry, and was mentored by Joe Cardarelli, a renowned beat poet and friend of Alan Ginsberg, Andrei Codrescu, Anselm Hollo and Robert Creeley. In the 90's Field moved back to the Berkshires where he maintained a studio in North Adams, Massachusetts, home to the largest contemporary art museum on the east coast, MassMoCA. In 2015 he joined the faculty at the Rocky Mountain College of Art + Design (RMCAD) and he currently teaches at Tennessee Tech University. He has exhibited nationally and internationally, from Chelsea in New York City to Berlin, Germany.
Field is an emerging artist known for poetically driven narrative paintings that are iconic, psychological and subversive. Arrays of archetypical imagery culled from both the collective consciousness and the realm of the intensely personal portray both sociological issues and mythic individual dramas.
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RECENT EXHIBITIONS
2022 |
Chasing Ghosts VII: Art that Pierces the Veil through remembrance, legacy, and beyond, Verum Ultimum Gallery, Portland, OR |
2022 |
Collage in the House, Collage-Lab and everydaypaper |
2022 |
Strange Paradise: A Window Into Surrealism, Annmarie Sculpture Garden & Arts Center, Solomons, MD, Juror: Anne Hyland, Curatorial Coordinator at the Smithsonian American Art Museum |
2021 |
Common Ground, Sandra Phillips Gallery, Denver, CO |
2021 |
The State of Contemporary Drawing, Hilliard Gallery, Kansas City, MO |
2021 |
Into the Wild, Art Fluent, Boston, MA |
2021 |
Magical Thinking, Ivy League Gallery, Minneapolis, MN |
2021 |
Animals, Colors of Humanity Gallery, Everett, PA |
2021 |
Faculty Exhibition, Tennessee Tech University, Cookeville, TN |
2020 |
Schwitters’ Army, Merz Gallery, Sanquhar, Scotland |
2019 |
The Big Show, Drawing Rooms, Jersey City, NJ |
2019 |
Biennial Faculty Exhibition, Philip J Steele Gallery, Rocky Mountain College of Art + Design, Denver, CO |
2019 |
In Search of Why We Draw, Sandra Phillips Gallery, Denver, CO |
2018 |
The Next Step, Gallery 104, New York, NY |
2017 |
All That Remains, Front Range Community College, Longmont, CO (solo) |
2017 |
In Absentia, Rotunda Gallery, Rocky Mountain College of Art + Design, Denver, CO (solo) |
2017 |
Matters on Paper, Sandra Phillips Gallery, Denver, CO |
2017 |
Arternative Facts, The Road Gallery, New York, NY |
2017 |
Cloudlands, Albany International Airport Gallery, Denver, CO |
2017 |
In Between Meetings, In Between Meetings, Lakewood, CO |
2016 |
CROP: New Art from the Berkshires, Berkshire Art Association, Pittsfield, MA |
2016 |
Open Opening, Counterpath, Denver, CO |
2015 |
Into This Valley of Hands, C Gallery, North Adams, MA (solo) |
2014 |
The Seed, Chashama Gallery , New York, NY |
2014 |
Friends Contemporary, PHILLIPS de PURY, New York, NY |
2013 |
TEN SPOT, Lichtenstein Center for the Arts, Pittsfield, MA |
2013 |
100 Hours in the Woodshed , MCLA Gallery 51, North Adams, MA
Curator: Susan Cross, MASS MoCA |
2012 |
COVET, Ferrin Gallery, Pittsfield, MA |
2012 |
The End of Histories, Herter Gallery, University of Massachusetts Amherst, Amherst, MA |
2012 |
We Dream in the Daytime Too, Descry Art Projects at Photobooth SF, San Francisco, CA
Curators: Chelsea Rae Klein, Descry Art Projects and Gregory Bartlett, The Spare Room Project |
2011 |
GLIMPSE: Enigmatic Visions, William Bennett Gallery , New York, NY
Curator: Alessia Maiuri |
2011 |
When Your Leg Spends the Night in the Water, University Galleries, Illinois State University, Normal, IL |
2011 |
100 Hours in the Woodshed: Collage Biennial, MCLA Gallery51, North Adams, MA |
2010 |
Small Wonders , Jordan Faye Contemporary, Baltimore, MD |
2010 |
Spectacular Sights, Gallery KG52, Stockholm, Sweden |
2010 |
Cultural Corridor , Storefront Artists Project , Pittsfield, MA
Curator: Susan Cross, MASS MoCA |
2010 |
Emerging Artists, Daniel Cooney Fine Art , Chelsea, NYC |
2009 |
Shameless Self Promotion, University Museum of Contemporary Art, University of Massachusetts, Amherst, MA |
2009 |
Art Bazaar, Lyons Wier Gallery, Chelsea, NYC |
2009 |
SCORED! , Berkshire Fringe Festival, Great Barrington, MA |
2009 |
On Shores of Pitch, Downstreet Art, North Adams, MA |
2009 |
Fairy Tale, AG Gallery, Brooklyn, NY
Curator: Tomoko Ashikawa, Artists Space |
2009 |
200 Lincolns, Chicago Art Deprartment, Chicago, IL |
2009 |
Woodshed II: The Next Hundred Hours, MCLA Gallery51, North Adams, MA |
2008 |
Mapping the Invisible , MCLA Gallery51, North Adams, MA |
2008 |
Get Out of Jail Free, Marin Arts Council, San Rafael, California |
2008 |
RED DOT Art Fair, NYC , with Brenda Taylor Gallery, NYC |
2008 |
WUNDERKAMMER: New Paintings by Joshua Field, Kolok Gallery, North Adams, MA
Solo Exhibition [Read review by John Mitchell] |
2007 |
Contemporary Berkshires , Kolok Gallery, North Adams, MA |
2007 |
The Most Curatorial Biennial of the Universe, apexart, Tribeca, NYC |
2007 |
Second Coming, Kolok Gallery, North Adams, Massachusetts |
2007 |
Angels and Demons, Annual National Juried Competition, UAG Gallery, Albany, New York |
2007 |
Get Out of Jail Free Benefit, Visual Aid, San Francisco, California
Curator: Maysoun Wazwaz, Southern Exposure |
2007 |
Square Foot Show , Art Gotham, Chelsea, NYC |
2007 |
Suckers and Biters:
Love, Lollipops, and the Exquisite Corpse, AdHoc Art, Brooklyn, New York
Curator: Jeff White, Museum of Modern Art, NYC |
2006 |
Anonyme Zeichner 3,
bluetenweiss, Berlin, Germany
Curator: Anke Becker |
EDUCATION
GUEST ARTIST | LECTURES | PANELS
2012 |
Guest Lecturer, Tricks of the Trade: Political Art, IS183, Stockbridge, MA |
2012 |
Guest Contributor, New American Paintings |
2010-12 |
Guest Lecturer, B-HIP Arts Management Program, Massachusetts College of Liberal Arts |
2008 |
Selected for the 2009 Florence Biennial, Florence, Italy |
2007 |
Panelist, MCLA Berkshire Cultural Resource Center, North Adams, MA |
1998 |
Residency, Contemporary Artists Center, North Adams, MA |
1996 |
Visiting Artist, Maryland Institute College of Art, Baltimore, MD |
1995 |
Guest Speaker, Maryland Institute College of Art, Baltimore, MD |
TEACHING:
2015-2020 Assistant Professor of Art and Foundations Coordinator
Tennessee Tech University, College of Art, Craft, and Design
2015-2020 Assistant Professor of Foundations and Fine Arts
Rocky Mountain College of Art + Design
2009-2014 Lecturer, Instructor of Record
University of Massachusetts Amherst
PROFESSIONAL MEMBERSHIPS:
College Art Association [CAA]
Foundations in Art: Theory and Education [FATE]
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